God's Lack:
Faking the Fake
This work explores the collective memory through recreating American cinematographic sets. It uses miniatures of 1/12th scale to question whether they are real or not. It is connected to the knowledge and personal experience of the viewers who project their own fantasies onto the image. The work uses photography as a medium to explore truth and reality. Presented as a construction, an imitation of something real, a proposal, a replication of the same model that has in some way more value than the real thing, it takes the observer onto another level of reality: hyper-reality.
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